Film

Yılmaz Güney (1937-1984) was a Kurdish actor and then director who dedicated himself to making films depicting the struggle of the poor and oppressed in Turkey. Persecuted by the authorities, he was sentenced to prison allegedly for sheltering anarchists in his flat. On his release he accidentally encountered the judge who had previously sentenced him; the details are obscure and disputed but a brawl of some kind ensued and the judge died. Güney always denied responsibility but was convicted of murder. He escaped from prison in 1981 and sought refuge in France. It was there that he made his...

Adoption (from Hungary: Marta Mészáros, 1975), centres on the plight of Kata, a factory worker who is single and, at the age of 45, has decided she wants to have a baby. She tells her lover Joska, who is married, but he refuses to go along with her wishes. Kata befriends Anna, a teenage orphan who she meets in a café, and finds the support and solidarity she so desperately needs. Kata, now having rejected Joska, goes to the orphanage where Anna was brought up and adopts one of the children. The film ends in a freeze frame with Kata getting on a bus with her adopted child. No easy future...

Following the new issue of Women’s Fightback, it’s back to 1929 and a rare film about the 1871 Commune: The New Babylon by Soviet directors Grigori Kozintsev and Leonid Trauberg with music by Dimitri Shostakovich. The title derives from the fictitious department store frequented by the Parisian bourgeoisie where Louise (Yelena Kuzmina) is a shop assistant. The Franco-Prussian war ends disastrously for France, while the workers of Paris starve to death. They take control of the city and establish the Commune with Louise joining their ranks. She befriends a soldier, Jean (Pyotr Sobolevsky) but...

The 1971 postal workers’ strike (Solidarity 583) was one of several key strikes in that stormy period. Leeds United!, directed by Roy Battersby, which was broadcast by the BBC in 1974 in their Play for Today series, concerns an unofficial strike by female clothing workers in Leeds and is based on real events in 1970. The militancy of the women, led by the indefatigable Mollie (Lynne Perrie), and their desire to improve their miserable wages, come into conflict with an entrenched, all-male, trade union bureaucracy who eventually negotiate a sell-out deal. A Communist Party member Harry Gridley...

News of the Chinese Education Ministry’s ludicrous concern over the “feminisation” of Chinese boys brings to mind China’s first explicitly gay film, East Palace, West Palace, directed by Zhang Yuan in 1996. Homosexuality was legalised in the following year, but gays are still regularly harassed for supposed “hooliganism”. A-Lan, a gay writer, is attracted to a policeman, Xiao Shi, and intentionally gets arrested by him in a public toilet (the title refers to two toilets in Beijing where gay men meet). Xiao Shi interrogates A-Lan overnight in the police station. As he listens to the young...

Deepa Mehta’s coming-of-age tale of a gay Tamil boy growing up in 1970s Sri Lanka, and in the post-1983 civil war between the country’s Tamil minority and ruling Sinhalese majority, is an ambitious one, aiming to wrangle with some heavy politicised themes. It opens with a group of children from wealthy families playing happily, amongst them an eight year old Arjie playing dress-up as a bride with makeup. The tense family dynamic is established instantly by Arjie’s father’s disapproval of Arjie. He warns his wife against encouraging this “nonsense”. He is set up as the oppressive patriarchal...

After last week’s article on Saudi women filmmakers, here is a Tunisian film: The Silences of the Palace (1994) by female director Moufida Tlatli. It is set in the 1950s, while Tunisia is still a French colony. Alia (Ghalia Lacroix), a cabaret singer revisits the place of her birth – a now deserted palace where her mother was a servant. As she wanders the empty building, she relives scenes from her childhood and particularly the sexual humiliations and drudgery endured by her mother. Due to her wonderful singing Alia breaks away but her visit brings back many poignant and often painful...

I’ve been wanting to watch The Perfect Candidate ever since watching Wadjda, by the same director Haifaa al-Mansour, last year. For far too long, the former was not readily available online: it finally is now. Haifaa al-Mansour is Saudi Arabia’s first female filmmaker, and one of the countries most well-known and controversial. Both films are set in Saudi Arabia; both follow outspoken, confident female protagonists, living within and struggling against the misogynist society they find themselves within. Wadjda, the 2012 movie’s title character, is a ten-year-old rebellious girl who desperately...

Recent Solidarity articles on Cuba bring to mind the visually stunning film I Am Cuba (1964) directed by Soviet cinematographer Mikhail Kalatazov and Tomás Gutierrez Alea’s Memories of Underdevelopment (1968). Alea’s film is no Castroite propaganda piece, but instead a measured study of the growing alienation of Sergio, a wealthy bourgeois intellectual who, unlike his family, has not fled Cuba. He stays behind not from any commitment to the revolution, but because of sheer inertia. Sergio wanders around aimlessly but cannot make up his mind what to do. Documentary footage shows the CIA-led Bay...

There are probably no films (except documentaries) that directly engage with the Molotov-Ribbentrop Pact. However, its devastating effect on Poland, when the country was carved up between Nazi Germany and Stalin’s Soviet Union, can be starkly seen in Katyn (2007) by Polish director Andrzej Wajda. As Polish refugees flee eastward from the Nazis they attempt to cross a bridge, only to meet refugees fleeing in the opposite direction from Russian troops. In the mayhem a reservist Polish officer is separated from his family. He joins his unit but is captured by the Nazis and handed over to the...